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James Patterson Writing Masterclass - Week Three

1/29/2017

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In week three of my Writing Masterclass journey I worked through the second part of the Outlining session, Writers Block and Creating Characters. All were interesting and generated lots of notes. Thank goodness this is a video course where I get to pause and rewind what James is saying.


Outlines (Part 2) - The main points covered in this Outlining session were;
  • How to troubleshoot your outline. Things like finding low points in the drama and becoming repetitive.  
  • The outline needs to be organic and change as you write the book
  • Once you have the outline, step back and start writing.
 
Writers Block - The blank page is the enemy but with an outline this becomes less of a problem. A big cause of writers block is when a scene or a chapter isn't working. Writers start to stress and question themselves. The best way to fix this is to;
  • Freight Train through the first draft. Basically, if you are having problems with a scene, write TBD and move on. It doesn't matter if that scene isn't working on the second or third drafts either. Don't let it bog you down. This is a bit like the NaNoWriMo philosophy.
  • Stay Focused. Learn how to tune the world out when you write. Listening to quiet instrumental music may help. You need to focus to get in tune with your story.
  • Take a break if you are becoming overloaded.
  • Take it seriously. Even if you aren't writing 'War and peace' or 'Ulysses', give it everything that you've got and do the best you can possibly do.
  • Practice, practice, practice. That speaks for itself.
 
Creating Characters - One of the things that rise a book above the pack is introducing fresh, involving characters that bring a unique way of looking at the world.
  • You want the reader to have strong feelings about the character, love them or hate them.
  • Create a character that makes an impression on the reader.
  • Know your character, know what makes them tick. You need to get the motivation and emotion right.
  • You need to be able to get inside the head of your character.
  • Make your hero complex.
  • Make your villain complex too, make them worthy of your hero.
  • Make important secondary characters, make them vital to the story.
  • Create reader intimacy through your characters. Readers find out more about characters in a book than they know about real people in their life.
  • You have to make a character they are not going to be able to forget.

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James Patterson Writing Masterclass - Week 2

1/19/2017

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I have now finished the first week of the James Patterson Writing Masterclass, following the suggested timetable in the course notes. I have completed the first six video lessons and I'm working on the associated assignments. I am finding the course quite enjoyable and even inspiring. Though the information passed on by Mr. Patterson in the video tutorials is nothing new, he delivers it in a relaxed, conversational way that makes the lessons seem intimate.
 
The topics covered so far are;
  1. Introduction to the class
  2. Passion - Habit
  3. Raw Ideas
  4. Plot
  5. Research
  6. Outline
 
Passion - Habit dealt with the notion that you really need to be passionate about writing in general and in your current project in particular. If you are not passionate about your story, how do you expect readers to be. So, keep the passion alive, love what you do, believe in yourself and learn to endure rejection. Makes sense to me. The habit part dealt with stressing the need to write every day, to make writing a habit, a part of your daily schedule. How can you call yourself a writer, if you don't write?
 
Raw Ideas. This one was interesting. Mr. Patterson says that it is really rare to find a new and fresh idea, but finding ways to put several ideas together in a new and fresh way can create a unique story. He writes his ideas down and keeps them in an ideas folder. There is nothing new in this information but it is still good solid advice. The other thing he stressed in this lesson was to "read widely and learn about lots of things." You can't come up with ideas about things you don't know and you never know what piece of obscure knowledge might spark that brilliant idea for a book.
 
Plot. This lesson wasn't so much about how to plot a novel in a nuts-and-bolts way. It was more about the necessity of raising the stakes in your story and about creating a worthy villain for your hero to face. The challenges to your hero both internally and externally need to be challenging and interesting. One thing he said resonated with me. "Condense your plot, concentrate on causality. The king dies - then the queen dies is a story. The king dies and the queen dies of grief, is a plot." I thought that was an interesting way to put it.
 
Research. This lesson stress the need to git it right. Know the details, know the locations, know your vocations because if you get it wrong, there are readers out there who do know and you will lose them forever. If you are conducting interviews as part of your research, make sure the interviewee is verbal. Finding a talker who is passionate about their field is like striking gold. Another point was not to be a know-it-all. Some writers decide that if they have done all this research, by god the reader is going to know about. They drop huge - pointless to the story - info dumps so the reader can see how clever they are. Mr. Patterson also stressed that there are no excuses. With the internet, there has never been an easier time to do your research.
 
Outlines. This lesson has been split into two parts. It is the lesson I have been the most excited to get to because outlining is one of my weakest skills as a writer. I took pages of notes on this session. It was set out in a practical way, working through the process he uses to outline his books. Starting with jotting down everything he can think of that happens in the story, just one or two lines for each thing. Sorting through, discarding some ideas and adding more, then ordering them. He then takes the time to expand on each idea with just enough detail to know what happens in that scene. Mr. Patterson says that sometimes he might spend up to three months getting the outline right. He believes this is one of the most important aspects of writing a novel and can save so much time and heartache in the long term. The best part of this lesson is the fact that he has included, in the workbook, the complete outline for one of his favourite books, Honeymoon. Reading through this outline has given me some invaluable insight into the process.
 
Stay tuned for week three.

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Writing Masterclass

1/13/2017

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Week One
 
Some time ago I saw a Youtube advert for a writing masterclass with James Patterson. I didn't skip the ad, in fact I clicked on the link and read up on the on-line video course. It actually looked pretty cool and dealt with several elements of writing I struggle with. Even though I thought hard about it, I didn't sign up.
  • I had too much other stuff on.
  • I wasn't in the right head-space to complete a course.
  • Although not overly expensive, there was still a not insubstantial cost.
  • There were a lot of negative people saying James hasn't actually written a book in over a decade, that he just puts his name on other writers works, taking the credit and most of the royalties.
  • James is not one of my favourite authors.
 
Lately, I had been thinking about the masterclass again and looking at my reasons for not signing up. True, I still have a lot of stuff on. I'm working full time, I'm trying to finish the second book in my middle grade series, I have a number of artistic projects in the pipe-line, including producing a dozen illustrations for an upcoming biography. I have a family and a new grandchild on the way. Yes, work and some family matters have been quite stressful over the last two years and I don't foresee much of an improvement in the coming year on those fronts. The cost and the negativity toward Mr Patterson, these were all just excuses and if I want to treat my writing professionally, I need to be professional. I need to prioritise my writing career and stop treating it like a hobby.
 
Although not my favourite author, James Patterson is a major success. I have enjoyed reading his titles that I have read and he must be doing something right because his books usually make the New York Times Best Seller list.
 
Then last night I was on Youtube and the advert for the course appeared again. Omen? Coincidence? Simple good marketing? Who cares. I signed up and started the course today.
 
I am going to post weekly as I work through the class and share my experiences. So far, I have watched the introduction, the second video lesson on Passion and Habbit, and I have started the third video on Raw Ideas. Now, I am working on the assignments; writing for at least one hour every day and coming up with three raw book ideas.
 
Okay, back to work now, time to put those raw book ideas down on paper...
 
See you next week with a progress update.

    

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    Jeffery E Doherty is an children's writer and artist who writes chapter books, picture book texts, junior and young adult novels.

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